ENG GER SUB바이올린 쉬프팅 준비연습 1Violin Shifting Preparation 1 Geige Lagenwechsel


바이올린 투게더Violin Together


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The video is based on the methods of Kerstin Wartberg,Mimi zweig, Simon Fischer and Ivan Galamian. Hi! I am Jiyoung. Today , let's learn about Shifting. Let's begin with a shifting preparation exercise. Wait before we start! In Frankfurt, we will start to practice basic violin technique and orchestra excerpts together, systematically, as a new form of group training. If you are interested, click on the video in the upper right corner. Reduction of Thumb Pressure Thumb flexibility is always important in left hand technique. It is especially important while shifting Free thumb movement is a necessary part of free movement between positions. When playing the violin, the left thumb puts pressure on the side of the violin neck. If the pressure is too high, then the thumb movement is not free because the hand and whole arm are stiff Therefore, the restrictive pressure should always be minimal. Natural Thumb Position In order to find a natural position for the thumb in the first position we first drop the hand to the side and relax it completely. Bring the hand into playing position. When the hand and arm are fully relaxed, the thumb automatically finds the correct position on the violin neck, to which it constantly returns while playing. Thumb Joints (2 or 3?) If you look carefully, the thumb is not composed of only two joints. It has has three joints, beginning where the hand meets the arm. Here we find the Thumb Saddle Joint, located in our wrist. If you try to use only the two upper joints of the thumb, without incorporating the Saddle Joint, this will lead to stiffness felt throughout the entire Hand. The Thumb and first finger should maintain consistent spacing in order to avoid squeezing against each other. Shifting motions 1. short shifts Shifting is the combined movement of the whole hand and arm, including the fingers and thumb. Let's practice short shifts with our whole hand and arm. A little faster Check that both arm and hand are relaxed, and go! 2. long shifts We'll go a little longer this time. For shifts going upward - From a lower position into the 5th or 6th positions- the elbow swings a little bit to the right. In the 4th position preparations are made for the comfortable arrival in the higher positions. beginning in the 4th position, the thumb gradually moves to an nearly horizontal position under the neck. For downward shifts - from the 5th or 6th position to a lower position- the elbow swings back again, a little bit to the left. At the same time, the thumb returns to its vertical starting position. Let's play Pizzicato with 4th finger while moving between low and high positions as practice to flex our elbows. Sharpen your senses The most essential requirement for a good shift is the ability to preemptively hear and feel the notes before playing them. The famous violin pedagogue Ivan Galamian often referred to the exceptional auditory abilities and tactile sense of blind people. Your violin shifts would certainly be more successful if you could consciously increase your aural and tactile perception. Listen to the correct notes first through the hamonics, then find and play them in different positions. Try to find the correct tone by paying attention to both your aural and tactile perception. Let's practice shifting from first position to third position. Practice shifts with harmonic-like finger pressure, and listen to the glissando sound of the finger moving lightly along the string. The instant feedback it provides allows you to always know exactly where you are and easily arrive on the new note perfectly in tune. Now we wil try while playing with separate bows The point to think about this time is : in separate bow shifts, glide up or down with the 'original' finger on the 'original' bow stroke, then cleanly play the 'new' note with the 'new' finger at the start of the 'new' bow stroke. Play it so that it doesn't make any noise with poor coordination between the shift and the bow. We can play this piece shifting from first to third position. Glide with a gentle, flowing motion from one position to the next. Today we talked about Shifting preparation. We will talk more about shifting next time, and there will be etudes to play together for practice. Please don’t forget to subscribe and push the like button if you liked my lesson.